Here are some more drawings from North Carolina. After three days I had nearly filled up my sketchbook and exhausted my tolerance for drawing fat people. I had also found what I was looking for. Pushing yourself to always finding something new can render a prescribed result.
On a cheery note, these drawings have become the springboard for some pretty funny animation ideas that will be brought to full moving color very soon.
Here are some more drawings from North Carolina. It isn’t quite the deep south but as you can see, it is deep enough. It is a strip mall paradise and too hot for rational thought. I found myself having much more sympathy for the people I was drawing. Usually I snicker to myself and gloat as only a Northeastern liberal can when witnessing the true ills of Red State America. Instead I felt sad. Sad for them and sad for me that this country doesn’t work very well. We have let our Southern neighbors figure it out on their own and they aren’t doing a good job (neither are we for that matter). So I ventured forth. With pencil in hand I drew the voluminous patrons of Ocean Isle Beach and imagined that maybe all is well (or at least as it should be). After all, they are only fulfilling their duties as gross consumers of all things. As a Blue State liberal, am I just horrified at how American they really are? Damn right!
The next few posts will be sketchbook drawings from my vacation in North Carolina late August. These drawings reflect a shift in my thinking and drawing. For one, my ideas about America have been crystallized. Unfortunately, I no longer see the promise of a more perfect union because as I have come to realize, this country’s brain damage is permanent. On the drawing front, my sketchbook drawing is becoming the center point of all of my creative work. My next animation and a new series of etchings will be based on the drawings I will be posting here.
Confirming my suspicions, on the spot drawing opens up the brain in ways that a thoughtful and considered drawing can’t. As I have told my drawing students in the past, thinking can kill drawing. Strange but true. Intuition is the driver of great drawing not slow plodding hammering away.
So, at the end of the pier and looking down at the American paradise. It is a sea of broken bodies and broken souls. You be the judge if these drawings reflect something sad, cynical, decaying, bloated, broken, busted, vacant or all of the above or none of the above. I see an endangered species roaming around like a large animal too big and too weird to live with no idea that with each high fructose soda they creep closer to a stressed gurney under fluorescent lights at the end of their world.
These are some images from my animated film called Cakeaters. I like the stills better than the film as a whole. At a New York screening of the film I had my worst but most educational artistic experience. Seeing something that you spent nearly three years making being quickly disregarded and judged (rightly) on the merits of it as a film was eye opening (even gut wrenching). Leaving the screening I felt bizarre. It was as if I had never seen the film. The deafening silence spoke volumes about the films snail paced timing and limited animation but also taught me that in the end, a film’s primary goal is to entertain. Even when you are bludgeoning your audience with a frightening truth, you must make it look good. I may be too hard on myself. Check out the animation and judge for yourself at:
http://www.youtube.com/watch?v=gOZwa0th5q8&feature=channel_page
Here are some summer drawings. They were all done either this summer or last in a variety of places. I can remember the time and place I did these drawings with such clarity that I could almost tell you what I was drinking and wearing when I did them. Beer and shorts would apply to many of them.
I wonder what the founders of this country would think if they saw us at the edge of a more perfect union measuring our success in flat screen TV’s and cars the size of small houses. The poor are fat and the rich are skinny. I think they’d be booking their flights to Paris tout de suite.
Torture – Through the channels
22 AprThis is a piece specifically created for a book about torture. The idea came from a well known Norman Rockwell painting called Gossip. In Rockwell’s painting, a juicy bit of gossip is spread through a town and eventually the source found and chastised. In my version, the directive to torture is passed through several people and the result is…well, torture. I was interested in the bureaucracy of torture. It has to start somewhere and likely, it was a decision that shocked, thrilled and dismayed different parties. Still, it went forward and still does to this day.
Tags: americans, caricature, drawing, louis netter, Norman Rockwell, satire, social commentary